5 Best Films about Hollywood.

2800338627_c5df023aac5. A Star Is Born

The 1954 version, obviously. Directed by George Cukor, scripted by Dorothy Parker and starring Judy Garland as the innocent ingénue discovered by Hollywood heart-throb James Mason. Her “Born In A Trunk” medley makes this a genuine Hollywood classic.

And make sure it’s the restored 176 minute version from 1983. They stitched it together by inserting publicity stills in place of some of the lost footage. But it all works surprisingly well, and looks at times like a carefully planned art-house film.

 

4. The Player

Supposedly an indictment of Hollywood, Robert Altman’s clever thriller is in fact a closet celebration of the system it slyly pretends to satirize. The sub plot centres around a horribly believable caricature of a European writer, whose sincerity is flagged by his refusal to allow his opus to be sullied by anything as vulgar as stars.

But he quickly sees the light. And his movie ends as Bruce Willis and Julia Roberts enjoy a gloriously clichéd, Hollywood kiss.

The film’s amorality and triumphant cynicism are punctuated by the pitch perfect cameos from everyone who was anyone at the time it was made, in 1992.

 

wallpaper043. Mulholland Dr.

As David Thomson pointed out in his perceptive review, the “Dr” of the title stands a much for Dreams as it does for Drive, where the film is set in the Hollywood hills.

A director, an actress and a starlet move from dream to nightmare and back again in a series overlapping and interweaving scenarios. The idea of Hollywood being presided over by an actual cowboy is all too appealing, but only David Lynch would have imagined him taking his responsibilities completely seriously.

 

Visually arresting and hauntingly evocative, it is, given its troubled history (it was originally begun as a TV series) a surprisingly engaging film, that delivers an unexpected emotional punch.

 

2. Sunset Boulevard

William Holden is the embittered writer, Gloria Swanson the faded goddess from a bygone age, and Eric Von Stroheim (who directed the majestic Greed in 1924) her butler in Billy Wilder’s razor-sharp satire of the industry they were all working in.

It’s hard to know what’s more contemptuous; Wilder’s casting of Swanson and Stroheim as painful parodies of their former selves, or the latter’s agreement to both act in the film.

 

rg363b1. The Bad And The Beautiful

An actress (Lana Turner if you don’t mind), a writer and a director are forever embittered after an archetypally ambitious Hollywood producer launches their respective careers as only he could; as a means of furthering his own.

Played with irresistible charm by Kirk Douglas, his Jonathon Shields projects the perfect mix of magnetism and ruthlessness. And of the many, many details that the film gets absolutely spot on, my favourite is the coat of arms he insists on hanging portentously on the gates to his mansion.

They read: non sans droit. “Not without right”. Which was the motto originally penned by one William Shakespeare on his coat of arms.

That this is never referred to in its dialogue is a testament to the film’s infectiously confident swagger. And director Vincente Minnelli somehow strikes the perfect balance between sophisticated cynicism and exuberant, heady melodrama.

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