HBO’s “Fantasmas” from Julio Torres

The best way to enjoy Fan­tas­mas is by know­ing as lit­tle about it before­hand as pos­si­ble. For­tu­nate­ly it’s well nigh impos­si­ble to sumarise so noth­ing you’ll read here will in any way spoil your expe­ri­ence of watch­ing it. 

Osten­si­bly, we’re in a dystopi­an future where every­thing we over 30 something’s had feared has appar­ent­ly come to pass. Every­thing you do is done via your mobile and every­one leads lone­ly lives lived in con­junc­tion with their robot friend come but­ler in exis­ten­tial isolation. 

This is the vista that for­mer Sat­ur­day Night Live per­former Julio Tor­res presents us with as we fol­low what seems to be a video diary of what has become his life. 

He’s an out of work actor slash etc with a per­son­al man­ag­er who is actu­al­ly just role play­ing as his man­ag­er, but is it doing it so con­vinc­ing­ly that she seems to believe that she real­ly is his man­ag­er, and she spends her days try­ing to con­vince him to shell his soul so that he can final­ly afford to pay the rent. 

But the key to life in this world is your Proof of Exis­tence stamp, and he’s res­olute­ly deter­mined not to cave in to the man and get one, so that he can par­take in all of the activ­i­ties that are expect­ed of you here.

It’s both a cel­e­bra­tion of and a pas­tiche of a Gen Z world times a hun­dred that’s only loose­ly con­nect­ed by this nar­ra­tive, and is real­ly just a suc­ces­sion of bril­liant­ly realised skits per­formed by a hand­ful of celebri­ty actors, who are all clear­ly in on the joke, includ­ing Steve Busce­mi, Amy Sedaris, Paul Dano, Emma Stone (who also pro­duces, again, as she did on The Curse, mak­ing her as impres­sive a pro­duc­er as she is an actress) and Natasha Lyonne.

This is the most refresh­ing­ly orig­i­nal and con­sis­tent­ly daz­zling show on tele­vi­sion, and feels like the brighter and slight­ly lighter com­pan­ion piece to Apple’s Sev­er­ance. But looks can be deceiv­ing. Fan­tas­mas is a close as you’re going to get to a show that’s gen­uine­ly Beck­et­t­ian. Enjoy. 

Watch the trail­er for Fan­tas­mas here:

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The Curse”, almost unwatchable, completely unmissable

The Curse, a 10 part com­e­dy dra­ma, or dram­e­dy if you will, is the ulti­mate in car-crash tele­vi­sion. It’s hor­ren­dous­ly uncom­fort­able to have to watch, and yet you can’t take your eyes off of it. 

Cre­at­ed, writ­ten and pro­duced by a com­bi­na­tion of its three prin­ci­pals, the series revolves around the mar­riage of Emma Stone and Nathan Field­er, and the real­i­ty TV show his col­lege friend Ben­ny Safdie is mak­ing about them and the work they do. 

Stone and Field­er are a patch­work quilt of every con­ceiv­able lib­er­al urge. They buy up prop­er­ties in under-ser­viced, periph­er­al sub­urbs – i.e. the ones where black and brown skinned peo­ple eke out their mea­gre exis­tences — and replace exist­ing dwellings with eco-friend­ly, ultra-mod­ern and over-priced monstrosities. 

Their end­less talk of invest­ing in local com­mu­ni­ties and nur­tur­ing indige­nous tal­ent does noth­ing to hide the fact that all they are in fact engaged in is a rapa­cious gen­tri­fi­ca­tion scheme designed to make them a shed-load of mon­ey, that they’re try­ing for­lorn­ly to dress up in lib­er­al frills and bows.

The Safdie broth­ers’ Good Time.

As the episodes progress, each aspect of their arche­typ­al­ly lib­er­al façade is unmasked to reveal a mon­strous mess of neu­ro­sis fed on an entrenched sense of enti­tled privilege.

And through­out all of which, it’s – at least ini­tial­ly – unclear whether Safdie intends glee­ful­ly expos­ing this in the real­i­ty show he’s mak­ing around their exploits. Or whether he too is caught up in the glare of their ambi­tion and the vor­tex of their solipsism. 

Could he con­ceiv­ably turn out to be even more self-cen­tred than they are? Or is there the chance that some­thing inter­est­ing might actu­al­ly result from what he’s shooting?

We are then very much on the same ter­rain that Ricky Ger­vais mapped out in the orig­i­nal The Office series, and where Curb Your Enthu­si­asm went in some of its ear­li­er episodes. Gen­uine­ly painful to behold, and absolute­ly riveting. 

This is what tele­vi­sion can do when three incred­i­bly gift­ed indi­vid­u­als decide to pool their tal­ents to expose what lies under­ground, beneath the sur­face of the soci­ety we’ve con­struct­ed for our­selves. And the less you know about any of the par­tic­u­lars, the more you’ll get out of watch­ing it. 

Watch the trail­er for The Curse here:

Sign up for a sub­scrip­tion right or below and I shall keep you post­ed every month on All the very best and worst in film, tele­vi­sion and music!