First Aid Kit’s lush, plush new album “Stay Gold”.

First Aid Kit's Stay Gold.

First Aid Kit’s Stay Gold.

Swedish sis­ters Johan­na and Klara’s third album as First Aid Kit is as warm and sun­ny as its title Stay Gold would sug­gest. But it’s the gold of the sun­set. There’s that sense of sub­tle trans­for­ma­tion as the bright cer­tain­ties of youth become tinged by the pos­si­bil­i­ty of future dis­ap­point­ment and disillusion.

As they did with their sec­ond album The Lion’s Roar, reviewed ear­li­er here, they’ve trav­elled to Oma­ha to hook up once more with Mike Mogis of Bright Eyes who takes up pro­duc­tion duties again. But there’s a big­ger, more expan­sive sound to the album this time around.

The bench mark for the two sis­ters is still the plain­tive har­monies of Emmy­lou Har­ris and Gram Par­sons. But like Par­sons before them, they’ve moved on from the sounds of Nashville to embrace a wider, unashamed­ly Amer­i­can panora­ma. As with Sharon Van Etten (reviewed ear­li­er here) we’re back with Fleet­wood Mac. But again, on the best of the latter’s very best days.

Johanna and Klara

Johan­na and Klara Soderberg.

The boys from Pitch­fork give Stay Gold an approv­ing 7.3 here. You can get a taster with the video from the open­ing track from the album My Sil­ver Lin­ing here.

But best of all, if you want to under­stand, or at least eaves­drop on the sorts of har­monies pro­duced by that sixth sense unique to sib­lings, then have a look at the acoustic ver­sion of Fleet Fox­esTiger Moun­tain Peas­ant Song that they record­ed in a wood here. It’s from all the way back in 2008 when the pair were about, oh, I’d say around sev­en years old.

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5 Best Albums of 2012.

first-aid-kit-lions-roar5. First Aid Kit, The Lion’s Roar. The sec­ond album from Swedish sis­ters Klara and Johan­na Söder­berg, bare­ly into their 20s, arrived at the begin­ning of the year. Reviewed by me ear­li­er here, it’s a pitch-per­fect con­coc­tion of dreamy Amer­i­cana, draped, care­ful­ly, in the cloak of melancholia.

4. Metz, Metz. The talk of the town at this year’s CMJ – see my review ear­li­er here – the trio from Toron­to pro­duce a tor­rent of vis­cer­al noise fuelled by the adren­a­lin of undi­lut­ed but care­ful­ly chan­neled youth.

Soar3. Dexys, One Day I’m Going To Soar. News that Kevin Row­land and Dexys were about to resur­face with a new album and an accom­pa­ny­ing tour was met, under­stand­ably, with skep­ti­cism and trep­i­da­tion. Remark­ably, as I report­ed ear­li­er here, both were a minor sen­sa­tion. A glo­ri­ous and painful­ly hon­est album that con­tin­ues to glow.

2. Frank Ocean, Chan­nel Orange. In an ever so slight­ly dis­ap­point­ing year, this is the one album on every­one’s end of year list. Reviewed by me ear­li­er here, this is as lyri­cal­ly com­plex as it is musi­cal­ly sophis­ti­cat­ed. And its genre-hop­ping con­fi­dence sug­gests that an heir to the regal Prince might final­ly have emerged.

Katie Kim "Cover & FLood"1. Katie Kim, Cov­er & Flood. When this album came out last Feb­ru­ary it some­what slipped under the radar. Which is most unfair as, as I wrote in my ear­li­er review here, Katie Kim pulls off the sig­nif­i­cant feat of being as remark­able in the stu­dio as she is on stage. And this, her sec­ond album, is a haunt­ing­ly evoca­tive work that con­jures up an impres­sive­ly moody dreamscape.

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