St. James church in Din­gle, co. Kerry.

What’s going on with the once great Oth­er Voic­es? The first episode in this the 16^th sea­son began exact­ly as you would have expect­ed, with BBC Radio 1 dj Annie Mac deliv­er­ing an intro promis­ing music from the likes of Per­fume Genius (reviewed ear­li­er here) and Djan­go Djan­go, with reports and footage from fes­ti­vals in Berlin, Belfast and at the Elec­tric Picnic.

The usu­al heady mix then of left of field, broad­ly indie fare mixed with the best in Irish music, and all set against the pic­ture post­card-per­fect back­drop of a church in Din­gle. But that intro, it tran­spired, was for the series, not for the episode at hand which was con­sid­er­ably less auspicious.

Ibeyi, from Paris via Cuba.

First up were Pic­ture This, who hail from Athy. If you’ve ever passed through Athy, you’ll know that at its cen­tre sits Shaws, the drap­ers where every local moth­er brings her son and daugh­ter to get fit­ted out for their first holy com­mu­nion, con­for­ma­tion and debs. And which famous­ly ran an ad declar­ing, glo­ri­ous­ly, “Shaws, almost nation­wide!” Which is all the more delight­ful in its refusal of the obvi­ous­ly cor­rect “near­ly nationwide”.

Had it been penned by a beard in Williams­burg it would quite right­ly have been hailed as a bril­liant­ly bit­ing decon­struc­tion of what adver­tis­ing copy is sup­posed to do. Let’s just assume that’s exact­ly what was intend­ed by who­ev­er came up with it here. Well, Pic­ture This sound exact­ly what you’d expect a band from Athy to sound like.

Wyvern Lin­go.

Next up were a cou­ple of num­bers from Sigrid, an oh so earnest Swedish would-be teen queen whose drea­ry synth pop is obvi­ous­ly going down a storm with the pre-tweens, and who was clear­ly as sur­prised to find her­self on stage singing as we were to see here per­form­ing on it. No doubt she’ll have a host of hilar­i­ous sto­ries to tell her class mates once she goes back to col­lege to fin­ish her degree in archi­tec­ture or inte­ri­or design, before set­tling down to bring up her kids.

After the break we had a cou­ple of songs from Wyvern Lin­go, a gen­uine­ly com­pelling trio from Bray who set their mel­liflu­ous melodies to glitchy indi­etron­i­ca, very much in the mode of Syl­van Esso – who them­selves are made up of one part of Moun­tain Man, who Wyvern Lin­go were com­pared to when they start­ed out.

Katie Kim per­forms at the RTE Choice Music Prize 2016, by Kier­an Frost

After that, we were giv­en a haunt­ing per­for­mance from singer song­writer Maria Kel­ly, and it looked as if the pro­gramme was back on track. But imme­di­ate­ly after that it was up to Belfast, and who did they find to record there? Only Pic­ture This. And, sure enough, after Belfast it was back to Din­gle we were treat­ed to no few­er than four fur­ther tracks from Athy’s finest, and anoth­er three from Sigrid, the very much not Sti­na Nordenstam.

So three quar­ters of the pro­gramme was devot­ed to a pair of young-fogey, pub-rock­ers from the mid­lands, and the least threat­en­ing Swedish chanteuse you’ll ever hear.

There’s noth­ing wrong with devot­ing three quar­ters of your pro­gramme to just two acts, so long as the acts in ques­tion mer­it that atten­tion. They could have focused on, say, Katie Kim (reviewed here), Lisa Han­ni­gan, Brigid Mae Pow­er or Rejji Snow from these shores, or, from fur­ther afield, on the likes of Cig­a­rettes After Sex, Ibeyi (reviewed here) or Car Seat Head­rest (reviewed here). Or, most obvi­ous­ly of all, they could have turned the show on its head, and giv­en three quar­ters of it to Wyvern Lin­go and Maria Kel­ly, and just the 10 min­utes to Pic­ture This and Sigrid, in total.

Car Seat Head­rest’s bril­liant Teens of Denial.

There’s noth­ing wrong with Pic­ture This, but their debut album went to num­ber 1 here (and there’s a prize of a Curly Wurly and a sher­bet dip for any­one who can cor­rect­ly guess what they called it), and there are any num­ber of out­lets where they play that sort MOR music wall to wall, night and day. The whole point about Oth­er Voic­es is that the music it gives voice to is sup­posed to be pre­cise­ly that, other.

Here’s the video for Wyvern Lingo’s Out of My Hands and the video for I Love You, Sadie also from Wyvern Lingo.

Sign up for a sub­scrip­tion right or below, and I shall keep you post­ed every month on All the very best and worst in film, tele­vi­sion and music!